I'm a huge admirer of this ongoing project, '100 chairs', by Katie McLachlan, who has Long COVID.
The paintings record her life pre- and post-chronic illness, and feature every form of seating and lying down support, from chairs and beds to gurneys. They give a playful sense of the harsh realities of post-exertional malaise, exhaustion, the experience of time ill, 'radical rest', the enforced localism of chronic illness, and creative access to nature.
I've published other examples as illustrations for the discussion I did with Katie and Brighid, posted here recently. The project is a wonderful example of finding a form that is possible within the limits of chronic illness, and expressing a poetic and joyful worldview, from within a time of loss, grief, and pain.
















I clearly remember when I was in university, I got involved in organizing an event and ended up handling all the chair arrangements. It took so much of my time and energy that I couldn’t focus on my dissertation. Realizing I couldn’t complete it on my own, I decided to use the Pay for Dissertation Online UK service. They did an excellent job, and my dissertation was completed on time. After that, I apologized to my university for the delay and got everything back on track.
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ReplyDeleteThis project captures something deeply honest about living within new boundaries while still creating meaningful work. The way everyday seating becomes a record of time, rest, and endurance feels both intimate and quietly powerful. It reflects how creativity adapts when energy is limited and priorities shift. Reading this made me think about my own academic journey during health struggles, when I had to look into options such as write my dissertation UK just to keep going.
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